The Fickle Fate: Faithful Or Fatal?

are we fated faithful or fatal

Fated, Faithful, Fatal is a song by Marilyn Manson, from his ninth studio album, The Pale Emperor. The song is an acoustic cover of the fourth track of the album, The Mephistopheles of Los Angeles. The lyrics explore themes of isolation, existential crisis, and a willingness to confront destiny. The chorus, Are we fated, faithful, or fatal? is a thought-provoking question that serves as the song's central idea, prompting listeners to contemplate their beliefs about free will versus destiny.

Characteristics Values
Song Title Fated, Faithful, Fatal
Artist Marilyn Manson
Album The Pale Emperor (Deluxe Edition)
Year 2015
Genre Metal, Industrial Metal, Industrial Rock, Industrial, Alternative Metal, Alternative, Gothic Rock, Blues Rock, Acoustic
Writers Tyler Lee Bates, Brian Hugh Warner
Producers Tyler Bates, Wolfgang Matthes, Robert Carranza
Record Labels Hell Etc., Cooking Vinyl Limited, Seven Four Entertainment LLC, Loma Vista Recordings

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'Fated, Faithful, Fatal' is a song by Marilyn Manson

"Fated, Faithful, Fatal" is indeed a song by Marilyn Manson. It is the second bonus song from the band's ninth studio album, "The Pale Emperor" (2015). The song is an alternate/acoustic version of the fourth track of the album, "The Mephistopheles of Los Angeles".

The title "Fated, Faithful, Fatal" is derived from the hook of the original song, "Are we fated, faithful, or fatal?". This line is repeated throughout the song, in both the pre-chorus and bridge sections.

The lyrics of "Fated, Faithful, Fatal" explore themes of vulnerability, aggression, and isolation. The song also references drug use and religious imagery, with the narrator comparing themselves to Lazarus and expressing a willingness to meet their maker.

The song is included on the deluxe edition of "The Pale Emperor", along with two other acoustic covers: "Day 3" and "Fall of the House of Death". These acoustic versions serve as a contrast to the original album's blues-inspired rock style.

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The song is an acoustic cover of 'The Mephistopheles of Los Angeles'

"Fated, Faithful, Fatal" is an acoustic cover of the song "The Mephistopheles of Los Angeles" by the American rock band Marilyn Manson. It is the second bonus song from their ninth studio album, "The Pale Emperor", and appears on the deluxe edition of the album.

The original song "The Mephistopheles of Los Angeles" is a mid-tempo, blues-inspired rock song with a duration of four minutes and 57 seconds. The lyrics find Manson comparing himself to Mephistopheles, a Germanic mythical demon who collects the souls of the damned. The figure is also known from the Faust legend.

The acoustic cover, "Fated, Faithful, Fatal", shares the line "Are we fated, faithful, or fatal?" with the original song. The cover also repeats the original's chorus: "I'm feeling stoned and alone like a heretic / And I'm ready to meet my maker / Lazarus got no dirt on me / Lazarus got no dirt on me / And I'll rise to every occasion / I'm the Mephistopheles of Los Angeles / Of Los Angeles".

The title of the acoustic cover is a play on the title and lyrics of the original song. "Fated, Faithful, Fatal" is one of three acoustic covers included as bonus tracks on the deluxe version of "The Pale Emperor", along with "Day 3" and "Fall of the House of Death".

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The lyrics explore feelings of loneliness and alienation

The lyrics to "Fated, Faithful, Fatal" by Marilyn Manson do explore feelings of loneliness and alienation. The song is filled with a sense of isolation and a questioning of fate and free will.

The singer expresses their uncertainty about opening up to others, feeling that they have been "opened up" or exposed enough already. They also assert their agency, stating that they are "not a birthday present", implying that they are not an object to be given or exchanged. This is followed by an aggressive assertion of their personality: "I'm aggressive [or aggressive regressive in some versions]".

The chorus reinforces the feelings of loneliness with the lines, "I'm feeling stoned and alone like a heretic/And I'm ready to meet my maker". The singer feels like an outcast, a heretic, and is resigned to their fate, ready to "meet their maker".

The second verse continues the theme of betrayal and alienation with the line "Double-crossed, glossed over in my Pathos". The use of the word "pathos" here suggests a deep emotional pain caused by the betrayal.

The bridge brings the ideas of fate and free will to the fore, asking the central question of the song: "Are we fated, faithful, or fatal?". This question suggests a contemplation of the role of destiny, the potential for change, and the possibility of a tragic outcome.

The song's title, "Fated, Faithful, Fatal", reflects this exploration of the interplay between destiny and personal agency, and the lyrics' focus on feelings of loneliness and alienation adds an emotional depth to these existential questions.

shunspirit

The song contemplates fate, faith and mortality

"Fated, Faithful, Fatal" is a song by Marilyn Manson from his ninth studio album, "The Pale Emperor". The song is an acoustic cover of the fourth track of the album, "The Mephistopheles of Los Angeles".

The song contemplates fate, faith, and mortality through its lyrics. It explores the narrator's internal struggle, questioning whether they are fated, faithful, or fatal. This contemplation of fate and free will is a recurring theme in the song. The lyrics also express feelings of isolation and a willingness to face one's mortality, with references to being "ready to meet my maker".

The song's pre-chorus and chorus highlight this contemplation of fate, faith, and mortality:

> Are we fated, faithful, or fatal?

> Are we fated, faithful, or fatal?

> I'm feeling stoned and alone like a heretic

> And I'm ready to meet my maker.

The narrator's sense of being exposed and vulnerable ("I've been opened enough") and their aggressive nature ("I'm aggressive") set the tone for this internal struggle. The mention of "Lazarus" and "rising to every occasion" can be interpreted as a metaphor for overcoming challenges and persevering, despite feeling alone and uncertain about one's fate.

Overall, "Fated, Faithful, Fatal" delves into the complexities of human existence, questioning the role of fate, the importance of faith, and the acceptance of mortality.

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It is the second bonus song from Manson's ninth studio album, 'The Pale Emperor'

"Fated, Faithful, Fatal" is the second bonus song from Marilyn Manson's ninth studio album, The Pale Emperor. The song is an alternate/acoustic version of the fourth track of the album, "The Mephistopheles of Los Angeles". The Pale Emperor was released on January 15, 2015, through Manson's own label, Hell, etc., and distributed in the United States by Loma Vista Recordings and internationally by Cooking Vinyl. The album was issued in standard and deluxe editions, with the deluxe edition including three acoustic versions as bonus tracks.

"Fated, Faithful, Fatal" is one of these bonus tracks and is an acoustic cover of "The Mephistopheles of Los Angeles". The title of the track is a play on the hook from the original song, with the lyrics "Are we fated, faithful, or fatal?" repeated throughout. The song explores themes of isolation, aggression, and a sense of being misunderstood.

The Pale Emperor marked a departure from the band's usual industrial rock style, instead embracing a sparser, blues rock-influenced sound. The album was produced by Manson and newcomer Tyler Bates, who Manson met through their mutual involvement in the TV series Californication. The recording process was described as "seamless" due to the unconventional studio environment, allowing Manson the freedom to improvise and develop new lyrics and vocal melodies at a high speed.

The album as a whole deals with themes of mortality, war, violence, slavery, and religion, and includes references to Greek mythology and German folklore, specifically the story of Faust and Mephistopheles. "The Mephistopheles of Los Angeles" was the original title track and, according to Manson, the heart of the album.

Frequently asked questions

"Fated, Faithful, Fatal" is a song about feeling alone and misunderstood, and the singer's willingness to meet their maker. The song also references Lazarus and the Mephistopheles of Los Angeles.

No, "Fated, Faithful, Fatal" is an acoustic cover of the Marilyn Manson song "The Mephistopheles of Los Angeles".

"Fated, Faithful, Fatal" first appeared on the deluxe edition of Marilyn Manson's ninth studio album, "The Pale Emperor", which was released in 2015.

"Fated, Faithful, Fatal" was written by Tyler Lee Bates and Brian Hugh Warner.

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